Ghosts and Stuff
Last year I spent a lot of my free time making a “ghost game”. Each adventure would be a sort of murder-mystery where you play as a group of ghosts trying to solve the details of your demise. I ended up scrapping it, but thought I’d do a bit of a post-mortem (ha) as to why.
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It’s rare that I finish making a game, but I take great lengths to make sure it’s playable!
I have a party-RPG prototype in which you share a taxi with a group of strangers, one of which is a werewolf. The game has 12 stops (aka: rounds). At the start of the game, each player secretly rolls a stop number and a “Wolf Out” number. The person who rolls the lowest Wolf Out number is the lycanthrope and will get both shaggy and hungry when they reach the corresponding stop number. The remaining players are human after all, and try to survive long enough to make it to their stop numbers without being eaten.
I got to wondering about a few things: How the pace of the game might change with different numbers of players? How soon should the werewolf appear? What would the distribution of stop numbers be? How often would a player be left to fend for themselves while everyone else had escaped?
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How’s the Weather?
I’ve always liked the idea of using weather to alter a TTRPG scenario. Like an organic knob that can be adjusted before a session, allowing a game master to increase or decrease the the amount of peril a group might face. As a design element, it would be a quick and relatable way to accommodate different groups and offer variance in a well used setting.
As a quick warm-up, let’s take the usual medieval fantasy RPG backdrop and sprinkle on some seasonal seasoning. We’ll take the same adventure and apply four separate seasons to it and see what that generates for us.
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Years ago I made a prototype for a board game set in a dark-humour dystopia where players took on the role of waste management professionals. Their job, to sort the garbage that accumulated at their central processing facility. During the game, players salvaged and smuggled various materials for themselves, which they could then craft into various items that granted different advantages and abilities.
The salvageable idea from this game is the use of permutations to create an organized crafting system. Because a core mechanic of the game was about crafting dozens of items, I wanted to make sure there was a way to keep track of the materials used for each item, and that each crafting “recipe” was unique.
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I read RPG books exponentially more than I play the games they are meant to conjure. Within each of them, one thing remains consistent. The system or setting routinely assumes that some form of violence is going to occur and that players will need to know, in great mechanical detail, how to carry it out.
So, question: Are extensive combat rules included in games because designers assume that players are likely to resort to violence? Or, that because extensive combat rules exist, players feel compelled to resort to violence?
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A Good Idea
Dabbling in both tabletop and digital games, over the last few decades I have amassed a respectable (i.e.: embarrassing) stack of unfinished prototypes. Many still taking up space on a hard drive or contributing to the bowing of a shelf somewhere. The shelf looks happy, so I leave it alone.
But there’s got to be some gold in those unfinished abstracts, right? I figure that any given prototype has at least one salvageable idea. So, over the next few posts, I thought I’d take a look at a few of my favourites and share them with the void.
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